25 Tips to Jumpstart Your Photography in 2017

25 Tips to Jumpstart Your Photography in 2017

Here are 25 tips designed to help you get the most out of your travel photography in 2017.  Go forth and create my friends!

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The summer of awesomeness

The summer of awesomeness

Today's post is a bit personal.  We recently returned from a 7 week journey around the western US, and I have come home a changed man.  Now the question is - in what direction does this change lead me?

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One photo, a million possibilities

One photo, a million possibilities

Today I share 1 photo that I have process 8 different ways - and I share some thoughts on breaking free of routines and experimenting to broaden your creativity.  

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Why travel makes you a better photographer

My thoughts on why travel makes you a better photographer (accompanied by some random shots from my travels) - hope you enjoy this article!

If you have been here before, then it’s pretty obvious that I am a fan of traveling.  I love to travel.  I love to see new places.  And of course, I love to photograph them.  But it’s not all just fun.  There are things that happen when you are in strange new places that are often beyond your control as a photographer.  Learning to deal with them and work through them not only helps you get the photographs you are seeking at that moment, but also helps you become a better photographer all the way around.  

I have found that being out there in this big world and exploring it with a camera has actually improved my photographic skills more than just shooting the things I shoot at home.  There’s nothing wrong with shooting at home of course.  I love to shoot in Austin.    There are some great sites here, like this one:

But things are different out there, and you have to approach things differently and make adjustments along the way, and that is always a good thing to be able to do.  You are forced to be creative, to think different, and to look at things differently.  I find that it makes me a better photographer...and here’s why:

  • Freedom from routines

We all have our daily routines and rituals when at home.  We tend to be creatures of habit.  We do similar things each day, often in the same order.  Does this sound familiar?

At times being in the same place for a while can make you feel “stuck”, creatively speaking.  You can lose inspiration, and your creative juices are just not moving.  I believe this is because of our routines at home.  There is nothing wrong with a routine, but at some point your internal auto-pilot takes over and you don’t have to think creatively.  In fact, you can probably do things without having to think about them much at all.

That’s why travel is beneficial to a photographer.  All of a sudden, you’re in a new place and things are different.  You have to pay attention, you have to act, and you have to think.  Your synapses start to fire again, and you are stimulated.  This is both rejuvenating and inspirational.  It’s good for the creative part of your brain, and that’s where you are getting your photo ideas.  Feed that by traveling.

  • Go with the flow (even in the rain)

If there is one given with travel, it’s that things are unpredictable...especially the weather.  As photographers who like to plan their shooting spots in advance, we like predictability (and we want to arrange a gorgeous sunset every night, too!).  These ideas are obviously at odds, and of course we do not have any control over any of it.  And although we cannot control things when shooting around home either, at least there we have the option to return most any time.  When traveling, it’s not easy to make a return trip, especially if you have gone a long way.  

So my recommendation is to take a deep breath and just go with the flow.  I have been in some pretty magical places and gotten horrible photo conditions.  That happens.  The best thing to do is to go in with limited expectations, knowing that it’s just awesome to be seeing these spots, weather-good or weather-bad.  

This can also be beneficial in that if you get much different conditions than you were hoping for, you have to look for different shots, and you may have to stretch in post-processing to create something interesting from them.  You can learn from disappointments, because you can’t always get the incredible sunset you are hoping for.  You have to adapt from behind the keyboard later, as well as behind the camera at the moment.

But don’t forget to always have the gear ready, because in a split-second, the weather may change and the light might turn magical!

  • Dealing with change and uncertainty

The other side of the “go with the flow” idea is about getting access to locations. Whenever I plan out a trip, I usually have a list (normally created as a note on my iPhone) of spots that I am hoping to get to.  I list everything that is interesting to me, but I don’t expect to get to them all.  It’s just too hard to get to every spot, unless you are visiting a small town for an extended time. :-)

But even armed with a list and a logical route, you will get sidetracked and derailed.  Perhaps the church you wanted to shoot inside of was closed (happened to me).  Or it was in service, and that was the only time you could be there (happened to me).  Or worse, you wanted a great shot of the exterior but there was scaffolding up around it (alas...also happened to me). 

These things happen, and they force us - once again - to get creative in terms of what we want to do.  Perhaps instead of wide-angle shots of the exterior, you can put on the zoom lens and get some shots of the architectural details.  The options are really only limited by our imaginations.  The point is that you can’t let a little disappointment dampen your enthusiasm for getting great shots.  It’s up to you to make it happen, one way or another.

  • Dealing with pressure

When traveling, I think most of us have to deal with certain limits and restrictions on how much we can get done, photographically speaking.  It could be anything - fading light after sunset, too much light after sunrise, pending family commitments (meeting for dinner!), pending work commitments (meeting a customer!), time pressures (this church is closing in 5 minutes!), or travel requirements (I can’t miss my flight!) – but usually what I find is that there is a whole lot more that I want to shoot than I actually have time for.  So in some sense it becomes a game: how much can I squeeze in?  

What this really means is that you have to learn to go into high-speed, quick-decision mode and figure out what makes the most sense.  It’s virtually impossible to get everything done, sadly.  So, hit everything you can within the time you have.  I deal with this on every single trip I take.  But that’s ok actually, because I think it teaches us critical decision-making and judgment skills that can translate to better photo choices in the long run.  

You learn to pick your shots quickly, set up and fire quickly, and move on.  It’s a heightened awareness state where you become a robot and focus on “getting it done”.  The reason I think this is a good thing is that it teaches you how to handle this pressure so that it doesn’t cripple your decision-making in the future. 

  • Looking at things from a new POV

I think that one of the great things about travel is that you are forced to open your eyes and examine things - people, culture, customs, even food - from a new perspective.  And of course, I believe that also bleeds over into photography.  In fact, in many ways that is what photography is really all about - finding a new perspective.

So, take a fresh look at things.  Try something new.  Experiment.  Get creative.  Go ahead and take the classic shots that everyone takes - you sort of have to - but then get creative, be original, and snap some random stuff too.  It really cements the trip in your mind.  Plus, it’s fun and if you aren’t enjoying your photography, that’s doubly bad! 

What do you get out of your travel experiences?  How has it helped your photography?

Feel free to let me know in the comments!  Thanks for stopping by!

Using monotony to spark creativity

Hi there, and thanks for stopping by today!  If you have been here before, you will probably know that my normal mode on the blog is to share a photo that I took somewhere, and tell you a little about it.  I plan to keep doing that, because I enjoy it.  I hope you do too.

But things change over time, and I too have been wanting to make a few changes.  So today I have a bit longer post to share with you.  I enjoy writing longer-form blog posts that include a bit of my ramblings, and plan to write a few more of these and share them here.  I hope you enjoy them.  Feel free to let me know in the comments.  

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Using monotony to spark creativity

First, let me get this out of the way:  I love to see and shoot new things.  I enjoy a change of scenery - it’s part of my DNA I guess.  I grew up as an Army brat, and as a result have become used to moving around a lot.  To borrow a phrase from my Mom, I have “itchy feet”.  But, this article isn’t about that.  This article is about developing your vision by shooting the same subject over and over again.  Let me explain...

 

While my work does take me a lot of places, which affords me some great photo opportunities, I do find that I shoot in a similar fashion each time I go somewhere new.  I look for the same sorts of scenes I have shot in different towns.  Of course the scene is physically different, and looks different, but in many ways I am repeating myself in new places...shooting similar things that just happen to be in different places.

While this is fun, I find that I do not learn to get as creative, because the scenes are different...so my thinking doesn’t have to be.  New stuff just presents itself to me as I wander, so I don’t “need” to get creative.  Does that make sense?

 

It’s as if my creative thinking goes out the window, because I keep getting new, exciting stimuli in the form of a new scene.  So, this is problematic for a photographer, because being creative is what this whole photography thing is about.

I have heard folks say that their creativity is “stuck” because they don’t get to see new stuff, and thus they are “uninspired”.  I totally get that, and honestly think that I might feel the same way if I never did travel.  But, I am choosing to think of it differently.  

 

I travel to San Francisco a lot for work, but don’t always bring my gear because I don’t have time to shoot there.  Sometimes, I can just shoot with my iPhone.  But every time, regardless of gear, I try to take a photo of the Bay Bridge, because it is near my office and hotel (and it's awesome).  Monotonous?  Maybe to some.  But I want to flip that thinking on its head and have you consider this:

 

You can enhance your creativity by focusing on the very thing that is making you feel stuck: having no new material.  Instead, pick a subject that is interesting enough to you, and consider taking on a personal project to shoot it in creative ways.

 

Things that might “make the cut” in terms of good subjects: an interesting or beautiful landscape (a mountain or river scene, perhaps?), a cool bridge, a train station or other architecturally-oriented subjects (a church?), or even a derelict old building.

Here are some ideas on how to stretch yourself in new, creative ways:

  • shoot at sunrise
  • shoot at midday
  • shoot at sunset
  • shoot at blue hour
  • shoot with a wide angle
  • shoot with a zoom lens
  • shoot with a prime lens
  • shoot only a portion of the structure
  • shoot only at a fixed aperture
  • shoot it with your iPhone
  • shoot it with the plan to convert every image to monochrome
  • shoot it under different weather conditions (sunny, stormy, snowy)

 

That list has 12 different things you can do - while shooting the exact same subject - to spark your creativity and get your creative groove back.  And if you think about each one, they each require a different “skill set” or approach to the subject.  There are light changes, weather changes, equipment changes - lots of factors which will impact decisions you have to make in the field.

Here is what will happen in the process:

  • you will begin to develop your vision for the scene, likely before you even get there, because it is familiar
  • you will begin to consider your processing choices for the shots as you take them, instead of when you sit down at your computer later
  • you will find that your creativity has just shifted because you are purposely not going to repeat yourself

 

Bottom line - I don’t believe that you have to always see new things to get inspired.  You can get inspired while shooting the same old stuff.  Go find something interesting nearby (or in a place you travel to frequently), and shoot it all sorts of ways.  

You don’t need a lot of free time, you just need an interesting subject and some imagination.

 

I included a selection of differing photos of the Bay Bridge in San Francisco in this little article.  I love it, and even if I only have 30 free minutes, I try and get in a couple of shots.  I always come home with something different.  And most importantly - I look forward to seeing and shooting this bridge on every visit!  The monotony of the subject is overshadowed by the challenge of getting creative!